1. Lidschlag
    Silvia Bächli
    Lidschlag
    How It Looks

    Silvia Bächli (1956) has become one of the most successful Swiss artists of her generation. This publication was developed with the artist, and is the first comprehensive survey of her output. Silvia Bächli’s art makes us feel unsure of ourselves. It sends viewers on a tightrope walk between banality and deliberate continuity. Her art always concentrates on the minimum. We see isolated arms or faces or eyes. No context is provided at all. She illustrates the impressions that remain after a walk. Despite the general trend in art towards being ever more provocative, louder and more strident, Silvia Bächli has stuck to Indian ink, gouache, oil paint and thin, smooth white paper for over twenty years.

    22 × 28 cm, 8¾ x 11 in, 304 pages, 211 illustrations, softcover (2007), hardcover (2004)

    ISBN 978-3-03778-013-8, e/g
    ISBN 978-3-03778-115-9, e/g, softcover

    Hardcover,
    EUR 30.00 / USD 45.00 / GBP 30.00

    Softcover,
    EUR 30.00 / USD 45.00 / GBP 30.00
    Out of print
    Silvia Bächli

    Silvia Bächli, born 1956 in Baden,Switzerland, is an artist and professor at the Kunstakademie Karlsruhe. She lives in Basel and Paris.


    2009 Biennale di Venezia, Swiss Pavillon
    2007 Night and Day, Centre Pompidou, Paris; Museu Serralves, Porto
    2006 Poèmes sans prénoms, Mamco, Genève; Nordiska Akvarellmuseet, Skärhamn
    2005 Lines, Museum zu Allerheiligen, Schaffhausen
    2002 Frac Haute-Normandie, Domaine de Kerguéhennec, Musée d’art moderne et contemporain Strasbourg
    1997 Kunstmuseum Bonn
    1996 Kunsthalle Bern
    1994 Centre d’art contemporain, Genève
     
    Silvia Bächli works with: Peter Freeman Inc, New York; Friedrich, Basel; Barbara Gross, München; Vera Munro, Hambur; Nelson-Freeman, Paris; Skopia, Genève