1. East of a New Eden
    Alban Kakulya, Yann Mingard
    East of a New Eden
    European External Borders - A Documentary Account

    Europe’s new eastern borders stretch from the Baltic Sea to the Black Sea: 1.600 heavily guarded kilometers between former “fraternal countries.” The photographers Yann Mingard and Alban Kakulya spent a long time on the road; one of them traveled down from the North and the other up from the South in an effort to document the places and landscapes that mark the end of the Western world. On their journey, they photographed the landscape as well as the border posts with their soldiers and their refugees seized at the frontier, and documented a reality defined in faraway Strasbourg, Brussels, and elsewhere. Explanatory maps and satellite images are juxtaposed in this book with the striking photographs. Articles by political scientists, security experts, sociologists, human rights specialists, and philosophers, as well as literary texts round out this photographic survey of the EU’s Eastern European external borders.

    With contributions by Ellie Barnavie, Daniel Bolomey, John W. Donaldson, Gianni Haver, Jon Levy, LUST, Martino Pesaresi, Ian Russell, Laura Serani

    Design: Integral Lars Müller

    25 × 33 cm, 320 pages, 150 illustrations, hardcover (2010)

    ISBN 978-3-03778-176-0, e/f

    EUR 60.00 / USD 99.00 / GBP 60.00
    Alban Kakulya

    Born the 6th of March 1971 in Lausanne                                          

    I began my photographers’ career after coming back from Nicaragua. Central America was the place where I worked during three years as volunteers in humanitarian projects. Later, I became part of Strates Agency in Lausanne, Switzerland, where I worked as freelance photo-reporters. With a colleague, we set up a  project called “East of a New Eden”, a documented journey on the external border of the European Union. This story became very successful and was exhibited all over the world. I work for various magazines and newspapers such as Business WeekDie Zeit, Libération or Le Temps.

    I studied journalism and worked on a personal story on minorities in Central American prisons. After being awarded by a Fulbright grant, I went to study moviemaking in New York during one year. I then worked on documentary shootings in Ivory Coast and India and I continue to work as a freelance writer and photographer making reportages in different countries.

    Yann Mingard

    Yann Mingard and Alban Kakulya began their careers in photography after returning from Nicaragua. It was in Central America where they first met and worked together during three years as volunteers in humanitarian projects. Later, they became part of Strates Agency in Lausanne, Switzerland, working as freelance photojournalists. Alban and Yann have had their photography published in various magazines and newspapers, and their work has been exhibited throughout Europe and in the U.S. In 2003, they received the very first Prix Fnac Européen de la Photographie (Fnac European Prize for Photography) for the “East of a New Eden” project. Alban studied journalism and worked on a personal project on minorities in Central American prisons. Yann specialized in Central Asia and participated in a walking expedition through the desert in Xinjiang, China. Alban later studied filmmaking on scholarship in New York for a year, afterwards working on documentary projects in Ivory Coast and India. He continues as a freelance writer and photographer working on projects in various countries. Yann has worked in a number of regions of Central Asia and has completed projects in the Tuva Republic and the Kazakhstan oil industry. Exploring a very personal photographic style, he often can be found with his camera at first light. In 2008, his work was exhibited in a show organized by Raymond Depardon. Having left the Strates Agency, Alban Kakulya and Yann Mingard continue to work on diverse projects, both together and separately.

    “East of a New Eden can be seen as a wonderful example of "form follows function". Not every photo book needs to feature so much text (...) - but in this context, everything works very well together. The text produces the necessary context for the images, and the photos makes you think about the statistics (for some people it might work the other way around - it doesn't matter). As a photo book, East of a New Eden is showing the way for what can be done beyond the usual format of a gallery exhibition on paper. But it also presents how documentary photography (or maybe photojournalism) can use the format "book" to talk about an issue in depth.”
    jmcolberg.com, December 2009

    “a captivating book documenting the continent’s outer margins.” The Independent