Gabrielle Schaad (*1982) is an art and architectural historian. Her doctoral thesis at ETH Zürich focused on the pitfalls of technology optimism at the interface between art and architecture in 1960s Japan. Schaad is the author of catalog essays and art criticism and has been a curatorial assistant inter alia at Kunstmuseum Luzern and Kunsthaus Zürich. She works and teaches as a research assistant in the Institute for History and Theory of Architecture (gta) at ETH Zürich and on the art & media bachelor’s course at Zurich University of the Arts (ZHdK).
