Lidschlag Cover

Silvia Bächli

Lidschlag

How It Looks

Silvia Bächli (1956) has become one of the most successful Swiss artists of her generation. This publication was developed with the artist, and is the first comprehensive survey of her output. Silvia Bächli’s art makes us feel unsure of ourselves. It sends viewers on a tightrope walk between banality and deliberate continuity. Her art always concentrates on the minimum. We see isolated arms or faces or eyes. No context is provided at all. She illustrates the impressions that remain after a walk. Despite the general trend in art towards being ever more provocative, louder and more strident, Silvia Bächli has stuck to Indian ink, gouache, oil paint and thin, smooth white paper for over twenty years.

Silvia Bächli (1956) has become one of the most successful Swiss artists of her generation. This publication was developed with the artist, and is the first comprehensive survey of her output. Silvia Bächli’s art makes us feel unsure of ourselves. It sends viewers on a tightrope walk between banality and deliberate continuity. Her art always concentrates on the minimum. We see isolated arms or faces or eyes. No context is provided at all. She illustrates the impressions that remain after a walk. Despite the general trend in art towards being ever more provocative, louder and more strident, Silvia Bächli has stuck to Indian ink, gouache, oil paint and thin, smooth white paper for over twenty years.

Author(s): Silvia Bächli

22 x 28 cm, 8 ¾ x 11 in

304 pages, 211 illustrations

hardback

2004, 978-3-03778-013-8, German
English
CHF 35.00

Silvia Bächli

Silvia Bächli lives in Basel and Paris and has held a chair at the Akademie der bildenden Künste in Karlsruhe since 1994. Her work is to be found in museums and private collections all over the world.

Silvia Bächli and Eric Hattan

Blindhaedir

CHF 35.00
Out of print