Pierre Mendell

Plakate für die Oper / Posters for the Opera

Pierre Mendell has been designing the posters for the Bavarian State Opera (Bayerische Staatsoper) in Munich from 1993 to 2006. With over a hundred motifs to his name, he has not only successfully created an unmistakable identity for this opera house but also linked it with a form of visual expression that is unparalleled in its originality and immediacy. Mendell’s simple, almost archaic, visual language is admired worldwide and his poster designs are represented in leading collections such as the Museum of Modern Art, New York. With a representative selection of his posters and accompanying essays, the book provides a unique insight into Mendell's artistic work.

Pierre Mendell has been designing the posters for the Bavarian State Opera (Bayerische Staatsoper) in Munich from 1993 to 2006. With over a hundred motifs to his name, he has not only successfully created an unmistakable identity for this opera house but also linked it with a form of visual expression that is unparalleled in its originality and immediacy. Mendell’s simple, almost archaic, visual language is admired worldwide and his poster designs are represented in leading collections such as the Museum of Modern Art, New York. With a representative selection of his posters and accompanying essays, the book provides a unique insight into Mendell's artistic work.

Author(s): Pierre Mendell

Design: Pierre Mendell

15,5 x 22,0 cm, 6 x 8 ¼ in

160 pages, 97 illustrations

hardback

2006, 978-3-03778-082-4, German
English
CHF 20.00

Pierre Mendell

For over forty years, graphic designer Pierre Mendell (1958-2008) has shaped the everyday culture of visual communication in Germany. Mendell studied graphic design with Armin Hofmann at the Basel School of Design and founded the Mendell & Oberer studio in Munich together with Klaus Oberer in 1961. From 1980 onwards, he was the in-house designer at Die Neue Sammlung – The Design Museum and from the 1990s at the Bavarian State Opera (Bayerische Staatsoper) in Munich. In these roles he was given utmost creative freedom to experiment with his graphic vernacular and he shaped the Munich cityscape for years with his innovative posters.